二十五 Twentyfive  
     
 

二十五
Spermatic Chord


貿易的計策就是這樣?
那些病患及悲慘的人,那些已死及離去的人。
誰把謊言留下讓其發臭及留下污漬
不再相信,近乎崩潰,呼吸困難。

拋開這一切吧,拋開這一切可把一個國族壓毀的謬誤權柄吧。
一個漂亮的數字遊戲,直至突然爆破的一刻,
令人興奮的競逐,運轉中輸出傷痛。

所有留下的及被遺留的,
那些工人及那些人去樓空的家園,
已沒有機會,再無故事可述說,
留下許多卻欠缺了那些努力和希冀。

陣地中逝去的你將活在呼聲中,
殘存的就是最好的,
在護盾之後,在鐵枝之前,
直視你那正視命運的面容。

在全世界的視線之下而全世界正在反撲,
它正作出正義的反擊
它是正確的亦有留下的權利,
眼睛看不見並淚水洶湧
但單只堅定及堅持留下並未足夠。

再回來的將被壓退
那被壓在地上的將在泥土中存活。
那些沒努力至死的將找到有可能性的說法
而這將比你那指點世界的胡言亂語更差勁

短時間內,我們已可聚習百萬人民
更快地,勞動人民們已被壓在坦克之下,
確是令人傷心的事實但我仍支持行動
因身穿藍衣的警員與我們藍領的色彩並不一樣。

貿易的計策就是這樣?
那些病患及悲慘的人,那些已死及離去的人。
誰把謊言留下讓其發臭及留下污漬
不再相信,近乎崩潰,呼吸困難。

拋開這一切吧,拋開這一切可把一個國族壓毀的謬誤權柄吧。
一個漂亮的數字遊戲,直至突然爆破的一刻,
令人興奮的競逐,運轉中輸出傷痛。

拋開這一切吧,拋開這一切可把一個國族壓毀的謬誤權柄吧。
一個漂亮的數字遊戲,直至突然爆破的一刻,
令人興奮的競逐,運轉中輸出傷痛。

所有留下的及被遺留的,
那些工人及那些人去樓空的家園,
已沒有機會,再無故事可述說,
留下許多卻欠缺了那些努力和希冀。

當被迫至牆角,他們露出了他們的本色,
即使沒有噴霧沒有子彈
就他們的人數及強硬的態度
亦會如凶狠的匪徒一樣把你蹂躪。

看清現況,回到罪行的本質,
重回過往就是出路,
回到你誤信的謊言,你解脫的過程及最終回到的自我,
但今次你並未成功,並未成功。

再回來的將被壓退
那被壓在地上的將在泥土中存活。
那些沒努力至死的將找到有可能性的說法
而這將比你那指點世界的胡言亂語更差勁

當被迫至牆角,他們露出了他們的本色,
即使沒有噴霧沒有子彈
就他們的人數及強硬的態度
亦會如凶狠的匪徒一樣把你蹂躪。

A9

作曲:Adam Leung and Arthur Urquiola
作詞: Arthur Urquiola
結他/鼓/Electronics :Adam Leung
主音/低音結他/Synthesizer: Arthur Urquiola

 
     
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Twentyfive
Spermatic Chord

These are the tricks of the trade?
the sick and the miserable, the dead and the gone.
Who left the lies to stink and to stain?
Disbelieving and broken and barely breathing.

Throw it all away, and whatever sticks
can crush a nation with the notion that it just don't work.
Paint by numbers until something clicks,
what a rush, such sensation it's in motion it hurts.

All that's left and all that remains,
the workers and the homes of those who moved on
short on chances not a tale to tell,
the work and the hope but the rest is all gone.

Dead in the ground, you live with the sound
and the only good pig is one that dies slow
behind a shield and in front of the bars,
staring at the same face now face your fate.

In the eyes of the world and the world bites back,
it fights back and it's right
and it's right and has a right to remain,
eyes blacked out and flooded with tears
but it's not enough to keep up and keep appearances.

What comes around will get run down
and what's run into the ground will live in the dirt.
Those who don't die trying will find something that works
and it's worse than the words that you told the world.

A mile a minute we can make our first million
in no time flat proles under the tank,
it's a sad fact but I'm all for the act
cause the boys in blue don't have the same blue collars.

These are the tricks of the trade?
the sick and the miserable, the dead and the gone.
Who left the lies to stink and to stain?
Disbelieving and broken and barely breathing.

Throw it all away, and whatever sticks
can crush a nation with the notion that it just don't work.
Paint by numbers until something clicks,
what a rush, such sensation it's in motion it hurts.

Throw it all away, and whatever sticks
can crush a nation with the notion that it just don't work.
Paint by numbers until something clicks,
what a rush, such sensation it's in motion it hurts.

All that's left and all that remains,
the workers and the homes of those who moved on
short on chances not a tale to tell,
the work and the hope but the rest is all gone.

But they showed their true colors when they we were cornered
without the spray and without the slugs
just the numbers and the desperation
it'll mess you up good like thieves and thugs would.

Returning to the crime of the scene
and returning to the old days is the way to go,
your delusions, your undoing and you're undone
but you've not won this one not won this one.

What comes around will get run down
and what's run into the ground will live in the dirt.
Those who don't die trying will find something that works
and it's worse than the words that you told the world.

But they showed their true colors when they we were cornered
without the spray and without the slugs
just the numbers and the desperation
it'll mess you up good like thieves and thugs would.

A9

Bandname: Spermatic Chord
Song title: Twentyfive
Music composed by Adam Leung and Arthur Urquiola
Lyrics written by Arthur Urquiola
Members:
Adam Leung: Guitars, Drums, Electronics
Arthur Urquiola: Bass, Vocals, Synthesizer

 
     
  Download (.ogg format)  
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  Why use Ogg?  
  (1) Ogg uses superior acoustic models to reduce the damage for compression. Thus, music released in Vorbis will sound better than a comparably sized MP3 file.
(2) Open source means that the code to the Ogg Vorbis encoder is open and visible for anyone; allowing people to make changes, improve the format and fix bugs. This means that the encoder is one fine piece of quality software.
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